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Progress at Arigna

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David Holman

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The last few weeks have seen the completion of a couple of brake vans [sLNCR types] and a change of focus to the scenic side of things. A total of nine tree 'skeletons' have been made from a mixture of florists and other wire, then coated with layers of filler and PVA, before being painted, ready for 'dressing'. The process seemed to take forever, but when it came to dressing the first tree [an oak to hide the entrance to the fiddle yard], it seemed only a few minutes work with Woodlands Scenics 'matting' and a reasonable representation was in front of me. Planting took a bit longer, as it is important to fit the whole thing into the ground, but while I'm sure I'll want to go back to it, there was much encouragement in getting this first little cameo in place.

Next to the tree is the Station Garage. Based on the Alphagraphix kit, this is in fact made almost entirely from plastic sheet. Essentially a fairly simple building, it will be all the bits and pieces that go with a garage forecourt and exterior which made of break this scene.

 

The petrol pumps are made of plastic and clear sheet, with filler nozzles coming from suitable looking bits of whitemetal from the scrapbox, while the hose is just wire, still in its sheathing.

The level crossing gates are also scratchbuilt and are hinged, pending some future date when I build up the courage to mechanise them. Over the crossing is a detached Georgian house. Done in half relief, the oak tree tries hard to hide this, while in front are lawns, gardens full of perennials, hedging and a rose arch over the front gate. A mixture of woodlands scenic scatter materials, lichen and fibres - work out for yourselves which is which!

The next step will be the end terrace on the other side of the road, plus the area around the signal box. this will test my ability to follow the ideas outlined in Gordon Gravett's new book, which deals in some detail with the rough ground we find in yards, lanes & the like. Another tree will go behind the signalbox to hide the part relief of the Welfare Club. My workshop is a total mess at the moment, with tubs of scatter material, glue, sprays, filler and goodness knows what else. Scenic work certainly requires a wide range of materials.

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