David Holman

Don't sneeze!

Fantastic work, Ken - these models really look splendid. Presume a floor needs adding too - at least for the cattle wagons! You are taking 3D printing to new levels, as that last photo shows.

Looking forward to the next bit of wizardry.

Sounds like you've cracked it, Tony. Downhill all the way from here! Just remember, if the solder won't flow, it's not hot or clean enough. My go to iron has always been a 100 watt jobbie, which is great for brass kits, though also have a 25watt for electrical joints and a 50 watt temperature controlled one which now gets used on loco building too. Whatever, enjoy!

Station Building for NPQ Still waiting for my track building materials, so decided I'd make a start on the station building for Northport Quay. If you've never scratch built anything before, then a building has to be the easiest way to start. Four sides, a roof and some openings for windows and doors, which you can buy if you don't fancy making them. What's not to like? I still have a full sheet of 5mm foam board, so this is the basic material. Easy to cut with a snap off knife, so a steel rule, pencil and some PVA glue are all you need to cut out the four parts and fix them together. The model is based on Westport Quay station, but a mirror image and a gable end, rather than a hipped roof. Two sash windows, two doors are all that is on the platform face, so nothing complicated there. Indeed, a rummage through my 'plastics' spares box [I have ones for etched brass, white metal and brass castings too!], unearthed some Grandt Line windows and doors. Not a perfect match, but this is not an exact model anyway. I also found enough Wills sheets of rendered stonework to cover the foam board shell. Westport Quay appears to be whitewashed in some pictures and plain stonework in others. As the model is intended to be removable, in order to break up the baseboard join, I may well make two versions, so one can painted in pre-grouping colours, to match my 1900s stock & this one in rendered stone. You will see that is it only just over 'half relief', so each end will be disguised by carefully positioned trees. Anyway, the pictures show what can be done in three or four hours, with minimal tools and basic materials. Plenty of detailing to add. I'd really prefer to be making track at the moment, but this should keep me amused in the meantime.

Fascinating! Had not come across that, but given the number of sink holes we now hear about, not surprised. There was also the urban myth of dozens of Stanier 8Fs being walled up in disused tunnels after the end of steam, in case of some doomsday scenario. These days, resurrecting them might be considered pretty terrible too...

"When I had a roller". Now there's a good throwaway line! Love it - and not surprised.

I think you are right. It makes the scene look more open and less cluttered, plus the loop is now a few inches longer too. Glad you like the bench work, though it is less neat underneath, I'm afraid!

Try Kitwood Hill Models. Laser cut ply, so really intend for the American market, but easy to put together and adapt. Supply dependent on demand though, so you may have to wait a bit. South Eastern Finecast do a turntable kit, which uses whitemetal castings for the wheels. Found it worked a lot better if these were replaced by ball bearings. Not sure if that meets your needs, but worth checking both websites.

Still waiting for track building materials, so have done a bit more work on the baseboards, cutting out the hole where the control panel will go. Two DPDT switches for the crossovers and three push to make switches for the uncoupling magnets don't take up a lot of room, fortunately. Next, cut and trial fitted the curved 'landscape' piece for the left hand baseboard, along with the holes for the track to exit to the fiddle yard. Today have been having another look at how the track work will fit in and as is so often the case, on the full sized model, things often don't work as planned on the drawing. Here, I've found that there isn't enough room for track for the mobile crane on the right hand baseboard, so have reluctantly decided that this will only run along the left hand board, parallel to the baseboard edge. This will be finished as a harbour wall anyway and leaves the option of maybe adding a second ship on a sub-board at a later date. As the coaster on the right hand board will have its own crane, this omission should be fine. Losing the crane track on the right hand board has at least freed up space to make the platform wider: as with everything else on a small layout, compromises have to be made pretty much everywhere! Playing around like this also helps in deciding how the track will eventually be made and laid. Suspect that much of it will be built in situ, with the platform wall/face actually going in first, as everything else revolves around it. Meanwhile, have also been playing around with what the back scene will look like, in particular trying to make this 7'6 x 1'6 footprint look much bigger. Hence have sketched in a small collection of houses, along with a few trees and bushes - the latter to hide both ends of the station building, along with the baseboard join in the back scene.

If you can get that far with some thin brass sheet, then you are already well on the way to scratchbuilding!

That is stunning. What a fabulous restoration. Astonishing price too - over here you could probably add a zero to it in some parts of the country! We're it mine however, not sure I'd want to share it with paying guests, while Mrs H is not keen on some of the dark wallpaper(!) The floors are stunning though, as is the preservation of all the original features. So, where would there railway room go...?

And very good it was too, though having taken the trouble to go to the Barber's Shop, it was a shame the SLNCR didn't get a proper mention.

Have spent a fair bit of time filling in various gaps in the baseboards. I've always had a bit of thing about avoiding earthquake cracks and lines in the sky - easy enough on a permanent layout, but far less so with an exhibition layout, which has to break down into short sections for transport. Fortunately, Northport Quay [or NPQ for short], only has one baseboard join to worry about, so that leaves little in the way of excuses in terms of trying to hide, or at least minimise its impact. The main aspects are as follows: Entry to/from the fiddle yard is easy, it will be hidden by a short tunnel. In addition, a curved back scene will hide the corner in the frames The right hand corner will be hidden by a combination of a warehouse and a crane. Current thinking is to adapt the Dapol/Airfix dock crane, the jib of which should hide the corner That leaves the central joint. Sod's Law meant that, while I got the backboards to line up nice and tight, subsequently discovered the baseboard surface had a 1mm wide crack. However, there is a fairly simple trick to sort this, that I learned from ace modeller, Gordon Gravett. Basically, you use some clingfilm one one face of the joint and smear car body filler on the other, then tighten the bolts and leave to set. As a result, I now have a near invisible join, that will eventually be furtherdisguised with removable 'jigsaw' pieces, to break up any idea of a straight line. Mind you, now need to file back the body filler a bit, as a line in the back board has now returned... The next stage has been to mock up the main buildings, to start to visualise the overall scene. Enter another of my pet hates - undisguised low relief buildings. Basically, I don't like to see thin slices of buildings that just end in the sky and try to hide them as best I can. On Fintonagh, careful angling of some buildings has helped disguise the fact some are only one or two cm deep. I want to do the same on NPQ, but envisage far fewer structures, so it will be a case of experimentation. The most obvious problem is the station building, which is semi-relief at one end. That will certainly need disguising somehow. Had hoped I might used the round roofed goods store on the platform of Wesport Quay to hide this, but while I may yet include it, it won't cover this problem. A tree is one possibility. Pictures from John Ahern's book on Model Railway Buildings [first published nearly 70 years ago] show both how and how not to tackle the problem! Finally, with Code 100FB rail and copper clad strip ordered, I've turned myself a roller gauge on the mini lathe, in the hope of starting some track making when the stuff arrives.

Definitely worth it.

Splendid prototype and that chimney certainly is a statement! Having built Enniskillen, shouldn't think there is anything too scary on this loco and with at least 1000 less rivets to do, less tedious too. So satisfying to have a rolling chassis - the rest is just cosmetic now (!). Will definitely look forward to seeing the model develop and seem to remember the Sligo also had a couple of GNRI 0-6-0s too, not to mention the Garrett that never was...

Sorry to progress again, but that footage of East Lynn shows what a fabulous layout it is. S scale, EVERYTHING is scratchbuilt. Not only that, but the locos all have working inside valve gear, while the signalling all works and with proper interlocking. All that is, except for the harbour, which has local hand levers, as per prototype AND also features chain shunting, using bollards and capstans. Have had the immense privilege of operating it twice and it is every bit as good as it looks. Now back to the coaches!

If I wasn't modelling the Irish scene, then the Midland & Great Northern would be very tempting! Fortunately, Trevor Nunn's East Lynn is a tour de force in S scale. Indeed so many pre grouping companies either side of the water are very much worthy of attention. Smaller trains, beautiful deliveries - so much to like!

They were 4-4-2 tank engines built by the London and South Western Railway for commuter trains in the 1880s. They soon became overtaken by the need for heavier trains, but three survived beyond WW2, two on the Lyme Regis branch, where their flexible wheelbase proved ideal for its tortuous curves and one on the East Kent Light Railway. The latter eventually joined its two sisters, working until the early 1960s. Their elegant lines gave them celebrity status in latter years until they were replaced by modern 2-6-2Ts and then DMUs, before the branch closed in the mid 1960s. Fortunately, one is preserved on the Bluebell Railway, though is no longer in working order and last I heard, not likely to be now, which is a real shame.

Great fun, as ever and a splendid model too.

Couldn't agree more about the first two sentences, but not the third. It was Henry Ford who said ' If you think you can, or you think you can't, you are right'. Of course nobody gets to be a loco scratchbuilder overnight, but start with small, simple projects like a building or a wagon and you might just surprise yourself. It doesn't have to be perfect, but making something that is yours alone is immensely satisfying.

Mine arrived yesterday, though after the briefest check it was whisked away by the missus until Christmas day. As far as price is concerned, the book is probably at the upper end, but compared to mainland Europe still very reasonable. Specialist tomes there can often be double what we pay here.

Absolute gems! A lot of care and skill needed on tiny models like these. Origins?

Definitely want one of each! Those early deliveries are just glorious.

Indeed, I have an electric jigsaw, but find it near impossible to cut straight lines and right angle edges with it. Hence all the ply was cut with with an ordinary rip saw on my 40+ year old Workmate.