Broithe

Definitely a growing market...

It's worth giving it a good bit of thought - including just how physically large a device you would be prepared to carry about regularly. Some of the smaller mirrorless things are optically excellent these days. A professional that I know speaks highly of the Sony devices.

This is the thing - it's all about you. I got a DSLR with the intention of doing some old-fashioned 'manual' stuff - but I find that use it on auto most of the time. I like the idea that so much more care went into a picture years ago, not just because each one cost a few bob, but because the technology caused you to think more. A lot of what I do know is just 'record' stuff really, and the 'artistry' side doesn't seem to be important enough to me for me to bother - one day...

For years, I just had a 'medium' digital camera, which turned out to be absolutely ideal for certain situations, when I got a 'proper' DSLR, it was definitely less useful in exhibition situations, particularly. So I currently run a full-size DSLR ( which accounts for 80% of the pictures ), a "packet of twenty fags" pocketable camera and now, also, a smart phone, which I only use as a "small bar of chocolate" camera for certain situations. I do keep the 'middle' camera in the car - for when somebody hits it... It's all about what you want to do and what you can spend. I have recently reorganised my pictures into better defined subject areas in the 'main' computer, but have left them in time order in the 'laptop', so that I have a bit of a back-up and two ways of trying to find a particular one. I do a separate back-up every few months - and leave that on another premises.

If there's anyone who was involved with O'Connell Street you may get an answer, if theirs is Magnorail, of course. .

There was a slight oddness earlier, when Latest Posts was only showing the first three letters of each - back to normal now.

See....

The subsidy was only as high as it was at privatisation in '95 as a sweetener for the "buyers". It would have been around a billion otherwise

You could get 'somebody' to knock up a brass one? It looks like it is a close-coupling cam type thing...

On a train from Holyhead once, I had a couple of crews on a transfer in the seats behind me, they were discussing redundant signage that they had spotted and how to access it for removal. There was a sign over a tunnel mouth that was going to involve some abseiling...

Proper hard-core modelling.

Anybody got a drone to check if the dodgy slates are in the right places?

These people will sell you moulds, in many styles, to produce your own sheets. https://www.ebay.co.uk/itm/Cotswold-Stone-Sheet-Mould-Model-Railway-Walling-in-OO-Gauge-CM04/153366955461?hash=item23b56205c5:g:~7MAAOSwJTNbvr3X:rk:1:pf:0

There's no arsenic in polystyrene and burning it properly at high temperatures is relatively safe.. ..but in a 'domestic' situation, it would produce styrene* gas, which will attack your nervous system directly and is definitely worth avoiding. Styrene, like a lot of benzene derivatives, is (possibly) carcinogenic, but definitely toxic. When polymerised into polystyrene and used at 'normal' temperatures, it's probably OK - unless you plan on living for a 1,000 years, something else almost certainly will get you first. Even warming stuff up in the microwave when it's in a Styrofoam container might be best avoided. * It's what the 'burning plastic' smell is.

If it isn't, I've successfully run 'sympathetic' points by driving the distant one mechanically from the driven one. It looks a bit of a bodge, but it ran remarkably reliably. A bit of 'spring' in the connections helps to be sure that the distant one is 'home' before the driven on, but that still has the scope to get 'home' too.

This has been dug up near Omagh station.

This?

Gritty realism, as a film critic might say....

We know that if somebody in Erne Street paints their front door an alarm goes off in @warb's house...

Discussing things with a few people since the exhibition, a few thoughts have come to mind. A small number of layouts relied on the ambient lighting in the three halls, one of which was a bit dim, hence a few blurry pictures. Having your own bespoke lighting under your own control is probably well worth doing these days. A couple of the layouts were 'front-controlled', whilst this may theoretically mean that interaction with spectators may be closer, in practise it generally had little benefit in that direction, as the operators were generally too busy - and often just 'in the way'. The age range of operators did seem to be more scattered than it has been in recent years. There's always next year. Dock a few shillings from the housekeeping.....

Dampfschneeschleuder - but, I think we got your drift...

Not only were there the many Woodhead layouts, but there were two layouts of Freshwater on the Isle of Wight, one in N and one in 00 - I spent a few minutes looking at each one, wondering where I had seen a similar one before, then looking at the other one and thinking the same..