jhb171achill

Irish railways carried them to an extent but there was never a huge interest outside Belfast and Dublin. They went in wicker baskets in the guard’s vans of passenger trains usually.

Very much so, David!

That’s a great thing to have. I travelled round India with James Boyd and his wife, Kenneth Westcott-Jones and the American railway historian, author and preservationist Edgar T Mead III in 1978 or 9. Boyd was notoriously hard to get to know, But I hit it off with him straight away and corresponded with him for a good while later. We had a shared interest in the Tralee & Dingle and he told me many anecdotes about it, plus one about the Schull & Skib which I won’t repeat here! A great intellect and depth, and an encyclopaedic knowledge (as you’d expect) on another massive interest of mine, the Isle of Man railway.

Possibly a slight overlap but I’m not sure, as one seems to have more or less replaced the other.

I was thinking that Leslie and other worthies must have been on it! Leslie - which one are you in the picture?

That top one is the famous “Inst” trip, or “outing” as the IRRS even yet still quaintly calls trips like this - as if it’s the loonies being let out if their padded cells for the day! Belfast Inst ran several such trips and these became the genesis of the RPSI......

Indeed I do, Edo, indeed I do...... I need to tread carefully, as I have tentatively submitted an application to the Dept. of Domestic Matters for outline planning permission for a slight layout extension..... Softly softly catchee monkey, as they say in the Shtix.......

Anyone know why some of those Bell containers had white tops and some didn’t? A few actual containers were white too, but I presume they might have been ventilated ones......?

Go Harvey go....... away from model shops!

Out of curiosity when I was a teenager (many, many, many moons ago, when the world was black'n'tan and steam was just about dying) I gathered some very small stone gravel from a beach, with the intention of putting it through Senior's old sand sieve, to extract the smallest pieces. The intention was to select small stones to build a stone wall on my (first) layout out of the natural materials. As you will guess, it was an exceptionally tedious and lengthy process, and matching up the right-looking tiny little bits would have tried the patience of ten saints. However, while I never progressed further than the scale equivalent of a ten-foot-long length of wall, it looked well, and no artificial thing can come close. But it certainly knocked my next proposed projects straight on the head, which would have been to build a small stone cottage to put in a field at the corner of the layout. I'd still be at it...... I have been thinking more about that lately, perhaps to make a derelict stone gable wall of something like an old famine ruin in one of the fields near "Dugort Harbour". Maybe, if I've nothing better to do some winter. There used to be some firm who made little plastic bricks and coping stones and stuff like that - is this still about, does anyone know?

Close enough, yes, a pale yellowish straw colour, but not actual yellow. Nothing was yellow. So - cream/yellow/straw unlined numerals, eau-de-nil (light green) snails, lined in gold.

Ooohhhhhhh!!!! How come I missed this? Perfect! It was posted nearly a year ago, when I was footplating a seriously clapped-out "preserved" Burma Railways 2.8.2 across darkest Myanmar..... And I'm off to Brazil and Argentina tomorrow (insufferable show-off....). No railways this time, though. However; those CIE coach linings and snails are properly accurate, and very timely. Just wait till I get all my six-wheelers..... Yes, it did. But not on ends, which were black.

You could try the Irish Railway Record Society in Dublin, but I'm unaware of any there, I have to say. That's not to say they're NOT there! Alternatively, try the Donegal Railway Museum Heritage Centre, or whatever it's called, in Donegal town. Beyond that, I don't know.

Pricewise, it's about normal. These are very high quality scale models, not toys!

If it wasn't their property, do you know whose it was? I did think it was theirs to scrap (unfortunately).

The very last GNR coach in service was 727, a K15 open third, which was still in use as a 70-class centre car as late as 1981. And the last NCC coach in use was open 3rd no. 526 (I think), same period. It ended life as an MED centre car about 1981.

A couple of 70 class sets would indeed be a great longer-term plan, and of course it has to have 80s! I agree with Galteemore - the 70s had great character. No two centre cars seemed the same!

171, ex-GNR Director's saloon No. 50, and ex-GSWR "Rosslare Express" twelve-wheeler No. 861 (1906).... I think this was when 50 and 861 first went to Whitehead. Both still in departmental liveries of CIE & UTA.

Illegally? What was the background? I knew it was scrapped there and in that year, but I assumed that since the CDRJC still existed, and still owned it, and it was on their land.....it must have been them that scrapped it. Is that not correct?

Much of the soundtrack on those is dubbed, as the originals were mostly silent movies.

They had a very distinctive sound, minister. A bit "throatier" than anything seen after the 1970s! I looked up one of the preserved AEC cars of GWR origin in Britain. They sound much the same as I remember, though I think the Irish ones were a bit louder - maybe bigger AEC engines?

Yes - it would be an interesting rarity. Before seeing it, I'll wager that it was an ex-GSWR dining car! It is just a terrible pity that Jimmy O'Dea took nothing but black and white. I have been through his entire collection several times, and he has some amazing stuff. It is all available via the National Photographic Archive, free for view. However, errors in captions are very common, some ridiculously so. the photo above of an AEC car being built at Inchicore as late as 1960 may be an error - it is at least as likely to be a refurb, perhaps after accidental damage. Knowing the railcar number would assist in this. I notice in the GNR set at Clones...look away to the right of the photo in the distance; a DNGR brake passenger luggage van, still in brown and cream. I might add that these photos simply amplify, if such was ever necessary, the great necessity to have a ready to run AEC set; these monopolised many services on the GNR, CIE, UTA and NIR for twenty five years.

Yes, that is indeed his signature! Know it well from my RPSI committee days........

Love the worn-weary looking van! Many vehicles on layouts look too toy-like because they're so shiny! I remember those vans - like all pre-1975 vehicles they tended to rust WAY more than today! My mother's 1967 Morris Minor ended up very shook looking........! And there was no NCT then, so bald tyres and cracked headlights were seen more frequently!

Yes. The whole idea, as you'll see when weeds and so on are added, is a place very much like the places I mentioned above, or Whitehead when I first saw it about 1969. Buildings that look half abandoned and weedy track. It could have a look of 1970s Castleisland too. The idea is to use the small space to try to create visual space. To try to be artistic in the scenery, giving a sense of scenic openness as far as possible. Initially I had simply planned a shunting layout with a pile of Mr McAllister's excellent wagons - it would be like Castleisland or Ardee were while goods-only. But I couldn't resist some of the SSM and Worsley coaches, and of course just one or two Cravens. And I've a couple of excellent tin vans from our colleague "down under". So there has to be a sparse passenger service. Maybe it'll only be GAA or pilgrimage specials. The place sleeps otherwise! Given that if prototypical, it would simply be a 4 or 5 mile extension beyond the terminus of a secondary route (North Kerry, Mallow-Waterford or Cork-Skibbereen, the loco shed and turntable would probably not have been used for many years, as most trains into the place were just short workings from "town". Maybe I over-think the setting, but I'm probably not alone on that! I like a setting to be either absolutely factually accurate, if of a real place, or if necessarily fictitious, based on how it most likely would look if real.