David Holman

That's more like it!

Still think that first picture might be a model - all the other photos show flush glazing on the cab front....

Spoiling us again, Ernie!

There is always room for a model railway!

Very little happened this side of the water either, though in Kent, the Allhallows branch wasn't built until the 1920s.

Can see what you mean, Mick. Those front windows are deeply inset and the glazing isn't exactly flush. No tension lock or Kadee though, even if the track looks decidedly Peck Code 75.

Delightful.

Got the plywood on Tuesday and have been assembling the two baseboards since then until this afternoon, when [returning from the garden centre], found a package containing my three points from Marcway. Not best pleased to find £200 worth out in the open on my doorstep, but then nobody would know what was inside and doubt if anyone would be interested anyway! As the ply is fairly thin, have gone back to slightly older practice by using the 'ply sandwich' method, where the frames are two strips of 10 cm ply either side of rectangular blocks of 12mm softwood. Screwed and glued, they are light but very strong and stable. Baseboard joiners ensure alignment, with M^ bolts to hold everything together. So, the workshop now has three layouts, with two sitting on the higher shelves and the one being worked on lower down. The arrival of the points has allowed a visualisation session this afternoon, starting with the left hand end. I need to have a decent view blocker here, to hide the hole in the end back scene. Looking in books and on the Web, found that Tollesbury in Essex had a nice, small, timber built station building that suits the space, but also need to find a suitable over bridge to copy.

Shame to hear about that. Light Railway Stores are very good value for such things. There are alternatives,, so try an internet search. Fox Transfers do some, but not sure about custom jobs. Depending on what size you want, Sister's Plasticard do some fairly small letters, so it is possible to make your own.

Fascinating - though well outside my pay grade in mechanical terms! Lovely model, doing well for 25 years use too..

The photos of the train by the water are just splendid.

Looking great, Alan. Not surprised, your colours have always been subtle and muted. Such things are very much in the eyes of the beholder, but certainly works for me. A range of textures too - really brings things to life.

Me too! The photos were taken by CM editor Andrew Burnham at last year's Chatham Show and I gave them the article in the August, so a long wait. However, good for the hobby (and the magazine) that there is plenty of material available. Apart from the obvious buzz of seeing your efforts in print, you get paid too and am thinking there are quite a few layouts and models of this parish that could send in something. All you have to do is check the editorial page, though they do like large file pictures, for obvious reasons. Andrew uses a 24mp camera and natural light on long exposures, but with digital camera it is easy to experiment. They like prototype stuff too and with the recent growth in the range of Irish models, articles on Irish practice, new and old could be useful. Now there's a thought...The NPQ will be at the Aldershot show in October (the one I missed last year) and some GN stock will be visiting too.

Northport Quay will be in next month Railway Modeller.

In 7mm scale you get whitemetal castings for the stools and wire for the rodding = much more robust. One wonders what they do (if anything) in 2mm scale. Tame spiders maybe? Am sure you'll enjoy the static grass machine, though the puffer bottles are still useful for small areas and tight corners. A good tip is to put down a layer of scatter crumb first and then static over the top of that. Never use a single colour either. A blend of several works best and experimenting is very addictive!

Got a lot of the necessary evils out of the way there, Alan and to very good effect as well. Love the rattle cans idea, and while really must try to embrace my air brush more, it is such a faff. Static grass machines much more fun.

See what you mean. Despite the very large buildings, there seems considerable potential for a working diorama, with the track plan looking quite simple. Anyone got a map of the area?

That looks very good. Any chance of a more detailed breakdown of construction? For example, what are the blocks that the rollers are mounted in? Daft enough as I am, to model in three gauges (21, 32 and 36.76mm), looks like there is potential to create a multi gauge rolling road using your method.

Building upon my zen [!] this afternoon, spent a pleasant hour or so drawing out the new project full size on some lining paper. Doing this helps ensure that the clearances are adequate, especially as you can pose various items of stock. I also moved stock around to check that likely sequences would work. Unfortunately, it is hard to see the pencil lines of the track plan, but my sketch plans should help with orientation. The first picture shows my J69 approaching the junction to the private sidings with a typically short goods train. Behind, ex Wantage Tank, Jane waits in the loco shed road, while the two vans are in the rear siding. The next two pictures show how the J69 can push its train into the private sidings [note the mainline engine would not be allowed through the gate], for Jane to collect. Jane then moves the train into the loco shed/exchange siding and then collects the two vans from the rear siding, placing them with the brake van. The two vans and brake now form an out going train, which Jane moves on to the mainline, for the J69 to collect. After, Jane will shunt the open wagons off scene for loading/unloading. The final two pictures show my railbus in the platform of the halt and the J69 in the same place with a horse box - again, both typical workings from 1950s East Anglia. So, it all seems to work, which is just as well as I've already put in an order for some 6mm pre-cut birch ply. At the moment, it may well be all the track will be bullhead [Peco], but using Marcway 1.8m wye points because they are such good space savers. Other orders will go in soon: three tortoise point motors, four uncoupling magnets, plus associated switches and wire.

Self adhesive address labels do the same thing, though require patience to cut out, leaving the glazing bars behind.

Just watching a recoding of yesterday's Repair Shop (BBC1, it will be in IPlayer). It features the station master's lamp from Donamana on the Donegal line to Derry. The station master was in fact a lady and it is her daughter who has brought it in for repair.

Either way, as ever, thank you!

Lovely stuff. What is the large warehouse structure behind Pennyburn shed?

I think you are right about that extra point, while have also tinkered around with the position of the others, as shown below. The other two sketch plans give an idea about other options. The 6'9 overall dimension will be shortened to 6'6/2m, so that I can use the lighting and pelmets from Fintonagh/Swillybegs. No point in making extra work if you don't have to! Moving the point off the mainline means almost all shunting moves will take place on scene, while making the loco shed siding longer means it can double up as an exchange siding. The initial project will see the narrow area against the back scene as just a low bank, with a row of poplars to hide the baseboard joint. A couple of trees on the right should hide the exit from the fiddle yard, while the back scene itself will be painted to represent low lying countryside. Shades of Wissington, perhaps. Both these sections will be removable, to allow a granary/maltings low relief set of buildings instead and [later still] a dairy cum Co-op option. I've worked out what I need for the baseboards and an order will go in for some pre-cut 6mm birch ply. Track on the mainline will probably use either Peco or C&L flexitrack, with one of the latter's point kits, so everything will be bullhead. The private sidings will be Code 100fb on copper clad sleepers to give a lightweight look . With only a few buildings and scenic items, there is every reason to get as much fine detail as possible. Am thinking the locoshed at Wantage Town, while the passenger halt may just do with a grounded coach and/or van body. As well as recent projects on this forum, inspiration is also comimg from some new books by James Hilton & Wild Swan. They very much focus on minimum space/maximum detail and are well worth getting hold of.

Note to self: next time I build a new engine, really, really must visit this thread beforehand. Practical and inspirational.