David Holman

The GSW guards van pic is a real gem and one is very much on my 'to do' list! As for Senior's transport, I think I prefer the inspection saloon to the bike!

Bill Ascough, of Ace Models once let me take a kit of a GN C12 at a show, for half the price - happy that I posted him a cheque later. ACE make an etched kit of the Southern's N and U, which may be of interest to MGW 7mm scale modellers. Bet that's a fairly limited market though!

Some lovely models here.

They certainly look the part.

Looking good so far. Whose chassis kit is it?

As suggested elsewhere, thought it might be a nice idea to share where we do our modelling. Am always interested to see how others do things, so here goes with mine. When we first got married 41 years ago [I was a child bride], my wife and I's first house was a two bed Victorian terrace, though this did have the advantage of a 10x12 cellar, where I built my first layout. We moved to our current house five years later and have been extending and improving it ever since. Initially the railway room was the spare bedroom, which doubled as a study. However, taking an exhibition layout downstairs, through a 180 degree turn soon lost its novelty, while becoming a schools' advisor meant I needed the study for report writing and so on. Hence the current railway room/workshop, which we converted from the former integral garage. While I know I'm very lucky to have this 16x8 space, like most modellers, I'd love to have more - ideally a double garage, so I could have a continuous run, but that aint going to happen. The garage was converted by replacing the flimsy up and over door with secure conservatory doors and an internal access door was added from the hall, along with a radiator off the existing central heating, plus plenty of extra mains sockets. Hence it is warm and dry all year - important in our hobby methinks. The layout is as follows: Along one long wall is the main layout, now called Belmullet, currently being rebuilt from the previous Arigna Town. This sits on [cheap] kitchen units, in which household tools, paints etc are stored, along with drawers for modelling materials. Above are long deep shelves, separated by a rather inconvenient pillar in the middle. Both sets are just over 2m long. on one side is my general railway library: one shelf of magazines [including every MRJ] and another of books. The other half has three shelves: Fintonagh lives on the first [minus fiddle yard], with the 'Irish Library' above, with some of my stock boxes and more on the top shelf, along with facias, pelmets and beams for Fintonagh. Because of that central pillar, there is space behind Belmullet for storing things like trestles and spare sheets of plywood. The end wall has more kitchen base units, but with a worktop above on which sits a range of small tools and containers. Above these are shelves and a display case for some of my models. Some of the shelves hold files of modelling info, plus things like storage boxes for small items, paint brushes and the like. The other long wall also has base units, but not as many as this is my main workbench space, while a larder freezer also lives here. You'll see there are more shelves for odds and end above, with a range of containers for plastic strip, wire etc on the workbench, on which also sits my pillar drill. So, there we are. It probably needs a bit of a spring clean and clear out, to free up cupboard space, but currently our recycling centre is closed, so that job will have to wait. By and large, everything fits in well. However, problems arise whenever I want to move things around, as stuff then need to go elsewhere while I do, which doesn't always go down well with the 'domestic authority'! Oh yes, that is a bath panel you can see - it is not just a modeller's workshop, other stuff has to be done here too.

Think we've all been there (and indeed continue to revisit in my case), to a greater or lesser extent, Leslie. My own workshop is close to the limit in terms of storage and accessibility, so every so often, I force myself to have a tidy up and put things away. Trouble is, as soon as you start modelling again, the number of tools and material required grows exponentially in comparison to the task! I call it 'three pin plug syndrome'. After all the years these things have been around, you'd think we could buy one that required, at most, two tools to wire it up. But no. Two, perhaps three different screwdriver heads, wire stripers, pliers and, in my case, usually many rude words because getting the wires to sit neatly is an unbelievable faff! Enough already! Maybe I'll start a thread on 'my workshop', or perhaps one exists already? Either way, we can show how we both empathise with your pain and share ideas of how to make our modelling areas (because by no means everyone has the luxury of a dedicated space) more user friendly.

Almost there? Well, not quite, but most of the key elements are in place now, with just one major structure remaining which will be a three doll signal at the platform end. Feel like I've been messing around with this baseboard's back scene for far too long and am still not entirely convinced. The decoupage of the end board seems not too bad to me, though that is for others to judge. In fact, much of it will be partially hidden by the framing when the layout eventually gets exhibited. The little scene behind the goods shed has taken even longer. Originally, was going to put the white cottage from Arigna there, but it dominated the scene too much, so replaced it with a stand of hawthorns and a hedged off field. Behind that, I've been trying to create a distant quayside, the mark four version you can now see in the photos. The 'Clyde Puffer' has doubled in size from its first incarnation and now has been largely hidden by a row of black sheds. Further back still, the stone pier now has a fish shed on it, though this still doesn't look right in some of the photos. Rather like some of Fintonagh's back scene, much depends on the viewing angle, so hopefully at exhibitions it will seem ok. The articulated lorry is an old dinky toy, well into its sixth decade. It is the wrong scale, either 1:50 or 1:48 [should be 1:43], but has been glazed and given a repaint, with the addition of windscreen wipers and door mirrors. 1950s period only of course and should have a better number plate too. Its current one is East Anglian, from a previous 0 gauge layout. Plenty of detailing still left, so at least I've got stuff to do during lockdown. After that, or as well, there will be much to do with running trials, as all the stock hasn't turned a wheel for nearly two years, so will need a thorough service.

Remarkable.

Looks like I will need to make removable signs for my layout when it goes dual period. Easier than having two liveries for all the buildings. I shall have to plead artistic licence.

For a while toyed with alternative names for Arigna Town, including Ballyrina, Killyconcaray and (my favourite) Bailleshawbheagan - think zebra crossing. Meanwhile, the Orpington model railway club use the village hall in Pratt's Bottom, while not far away are places called Badger's Mount and Fawkham. As for Bastardtown, there was a cartoon in the Guardian of a lady at the desk of a solicitor's office. The secretary was saying something like 'if you are unhappy with Mr Smith, perhaps you could speak to one of our other solicitors?' The name of the firm was B'stard, B'stard, B'stard and Smith. Now we know where they were based.

Question - were there bilingual signs before independence? Belmullet is shown on my current AA road atlas as being in a Gaelic speaking area, so would a station nameboard have been in both languages in the early 1900s?

He comes from a pack of five, sold by Woodlands Scenics. Ready painted, 7mm scale figures are usually £5 or more each, but I only paid this for the whole pack. Bought them at the same time as the family group you can see on the platform at Fintonagh, though they needed altering as their dress was too modern for that 1930s scene. Belmullet will depict two periods, early 1900s and mid 1950s (avoiding the battleship grey years). Fashions changed quite a bit in that time, which is why the cluster of passengers will be partially out of sight and other figures are a minimum of railway staff. How much monk's habits changed, I have no idea, but when I researched nuns' habits to paint those figures, the internet search took me to some very interesting and unusual places.

Superb information here JB, even the MGWR history isn't clear about liveries. Especially like the comparisons with Isle of Man and LNER - now stored away for when I get round to building Wolf Dog. Hoping to make a start once Belmullet is properly up and running, so it can head a MGW mails. Will only have room for three six wheelers, but should make a nice train.

Looking good!

Now that's what I call a paint shop! Models look rather good too...

Can't believe it is a month since I last posted here. It's not that I haven't been busy, just that much of it doesn't seem to have got things finished. Plus we did have a nice holiday in Mojacar [just before the virus hit], while have also been having problems with the laptop... Anyway, work has been focussing on Baseboard 1, the terminus end of the layout. This has involved finishing and painting the goods shed and co-op, much faffing around with track colours [still needs more], likewise the back scenes [ditto]. The pictures below really don't tell half the story, with many alterations to colours and tones, not completely to my liking yet either. However, with no reference points whatsoever due to covid19 lockdown, at least I can escape to the workshop a couple of times a day in between doing the garden, going for a walk, household chores etc. At least it helps avoid too much TV.

Considering the lengths folk have gone to bash other models to shape, am guessing that would be a breeze. Note to self: instead of watching endless repeats on TV, must fire up the laptop and have a good scroll through recent posts. There have been some absolute gems recently.

In the recent reprint of the Swilly history, seems that not only did their single line token system not work, but their vacuum brakes were often suspect too. There again, two trains a day reduced the chances of a collision between Burtonport and Letterkenny somewhat. Would love to do the Swilly. In my dreams it would be 10mm scale, as per Killybegs, to do justice to the big locos. Space, time, money just three of the problems!

Fabulous, as usual. The fountains of knowledge on this forum continue to amaze and delight. When I saw the picture from the top deck of the horse tram, my initial thought was to wonder what on earth they had been feeding Dick on! Did a holiday to Sri Lanka some years ago and we went on an elephant safari - riding the back of, not shooting I hasten to add. We were given bunches of small bananas, gratefully received every few minutes by the trunk which wafted back over the elephant's head. Speaking of wafting, the similarly fueled beast ahead of us kept up a fairly continuous exhaust from its rear end throughout the adventure, while afterwards we had the chance to help in the 'car wash' too. Great memories.

I've done the same on Arigna/Belmullet, but with the signal wire posts. Unless you look really closely, you see the posts and don't missed the wires.

Interesting! There is no doubt that Kadees look good, especially with modern stock. I've used 7mm scale ones in the past on corridor coaches, with screw links each end. On Fintonagh, I use No 5s. However, despite rigorous checking, including height and alignment, non- magnetic axles, reasonable weight (so the magnets don't tip up the wagons), I still have wagons that refuse to work with each other, either uncoupling when being pulled or not uncoupling despite being set up the same as the others! Many rude works have been vented... Mixing and matching can work well, eg three links on a rake of wagons that are always going to run as a set, with something easier to use each end and on the loco and brake van. The issue with three links is buffer locking on tight curves, so if you are propelling stock, the one metre radius is about the limit in 4mm scale and 1.8m in 7mm. Which is why tension locks are so popular because they avoid this. Compromise rules!

Splendid!

Tempted to say don't get me started, but with the experience of over 100 exhibitions with my own layouts and looking at many of the options, here goes. All couplings are a compromise. The ones that work don't look right, unless the prototype uses Buckeyes as well. Most are a pain to set up and use, requiring all sorts of strange between/under track devices, or the hand of God, as it were. It's all about what you can live with. My own feelings are as follows: 1. In 7mm scale, three links are perfectly workable, though screw links are the spawn of Satan especially between vans and coaches. 2. Dinghams aren't bad, but are 'handed', so create issues if you use turntables. Easy to set up, fairly unobtrusive and very forgiving if they get bent. 3. Kadees. Though I do use them on Fintonagh, I am still not convinced, mainly because I don't like the 'shuffle' and the fact that tolerances are so minimal. Not happy on curves either in my experience. 4. Spray and Winkle. Too much like a tension lock. See below. 5. Alex Jackson's. Mr Gravett makes them work, but again, they don't like curves, he says. Model Railway Journal once did a five page article on getting them 95% efficient. Haven't managed to read it all yet as my eyes keep glazing over... 6. Lincs. Galteemore is using them on Rosses Point, so will be interested to hear how he gets on, as look promising As for other scales, three links can be ok in 4mm, provided you use the slightly larger Smith's hooks and links. Personally can't stand the look of tension locks, though they do tend to disappear on bigger layouts. Kadees, as above. N gauge couplings a bit like tension locks for me, the smaller the engine, the worse it gets. The Terriers and 03 shunters in particular have couplings that are almost as long as the models themselves! 2FS modellers use some very discreet etched couplings that seem to work beautifully. Having had a go on Ballyconnell Road last summer, must say I was very impressed with the 3mm version. To sum up, it is all a compromise, but if operation is your thing, then tension locks and Kadees have stood the test of time it seems. However, if appearances are more important, suggest experimenting or investigating first, while if your hand is steady, three links are the only thing that looks right in the pre buckeye period.

Not sure how I've missed this thread, but glad I've found it now. Lots of good stuff here and especially like that signal.